Besides the stellar script, this is achieved through the way in which characters interact with each other and how they are cinematically composed. The characters in this film are dealing with serious problems, while being funny, and never falling into camp. “Raising Arizona:” This film has the balls to blow up a bunny, and we think that is, well, hilarious. We like its use of visual fantasy to illustrate key story points - something we employed in “Cooties.” We wanted to elevate the zombie genre with gorgeous cinematography and an entertaining juxtaposition of upbeat music and dark visuals, which “Trainspotting” does excellently. “Trainspotting:” Though this is a very serious film, its darkness is balanced with a sense of humor and style. 'Black Mirror': Meet the Only Person Charlie Brooker Trusts to Work on Every Episodeģ0 Disturbing Foreign Films to Watch, from Gaspar Noé to Takashi Miikeīest Movies Never Made: 35 Lost Projects from Christopher Nolan, Quentin Tarantino, and More I Directed Peter Fonda in a Western, and It Was a Privilege As normal children, the kids are pushed toward maturity and adulthood, while the adults are stuck in a sort of prolonged adolescence. Its thoughts on parenting and coming-of-age are particularly relevant to “Cooties.” Expanding on these themes, “Cooties” delves into the idea of role reversal. Some of us are just better at hiding it, that’s all.” This quote from Andrew (Emilio Esteves) applies equally to both movies, as there are many shared themes.

As they try to get through the day unscathed, they discover new things about themselves and each other, drawing them closer together. “The Breakfast Club:” Five unique characters find themselves stuck in school, being ‘attacked’ by an outside force (i.e.

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